Part 7 in a long running (8+1 films) action/comedy/melodrama series about a pair of short tempered, amoral, but not evil chinpira (Bunta Sugawara and Tamio Kawachi) thinking too big of themselves. Katsuji finds his long lost mother, who is a rich lady of a respectable family. Comedy and melodrama ensue. A thrilling spectacle with an overly violent ending, and a remarkable, Japan's only post-prison rape comedy, Masa is determined to have sex with the female guard, despite the fact that there is a bar between them. Michi Azuma (topless swordswoman from Lone Wolf and Cub: Baby Cart in Peril) plays a tomboy who wants to join her brothers.
Yakuza Kojima appeared in Yokkaichi in search of her mother who died when she was young. There he met Torajiro, a master of kendo, who had just left prison after slashing his adoptive father who stole his son's wife.
Hubert is a French policeman with very sharp methods. After being forced to take 2 months off by his boss, who doesn't share his view on working methods, he goes back to Japan, where he used to work 19 years ago, to settle the probate of his girlfriend who left him shortly after marriage without a trace.
Two New York cops get involved in a gang war between members of the Yakuza, the Japanese Mafia. They arrest one of their killers and are ordered to escort him back to Japan.
A Japanese Yakuza gangster's deadly existence in his homeland gets him exiled to Los Angeles, where he is taken in by his little brother and his brother's gang.
At the end of the Greater East Asia War, young Amada Koichi and his father were wrongfully accused as spy suspects and his father died in prison after being tortured.
A collage film, a dialogue between mother and the unborn child, the film can be seen as a personal self-analysis by René Paquot, who dreamily delivers his conflicts with maternal, medical and religious authority.
Two friends named Amir Palang and Ahmad Nane Baba Jegaraki are interested in Asieh ; But Asieh is interested in Amir, and Amir tries to stay away from Asieh in favor of Ahmad.
Portrays the challenges of creating a film about nuclear disaster amid public apathy. It captures behind-the-scenes moments as the crew discusses the gravity of nuclear threats, the importance of preparation, and the emotional impact of a nuclear attack.
