Set around a classic case of broken vows – the defendant having literally left the claimant at the altar – the trial bubbles over with emotion, humour, and downright chaos, leaving the jury divided.
Who loves whom in Così fan tutte, Mozart’s and Da Ponte’s cruelly comic reflection on desire, fidelity and betrayal? Or have the confusions to which the main characters subject one another ensured that in spite of the heartfelt love duets and superficially fleetfooted comedy nothing will work any longer and that a sense of emotional erosion has replaced true feelings? Così fan tutte is a timeless work full of questions that affect us all.
Based on real events and drawing on Georg Büchner's revolutionary play, Alban Berg's Wozzeck turns a grimly tragic narrative of violence and murder into one of the most powerful and original operas of the 20th century.
The grand scale and magnificent acoustics of the Roman arena in Verona are ideally suited to the pageantry of Verdi's Egyptian opera, presented here in a staging that is true to the original 1913 production, framed by obelisks and sphinxes and filled with chorus and dancers.
Opera lies at the heart of Rimsky-Korsakov's colourful idiom, but performances are few and far between; this realisation of his penultimate and grandest stage work is a very rare and special experience.
Sir David McVicar’s bold new staging of Tosca, Puccini’s operatic thriller of Napoleonic Rome, thrilled Met audiences when it rang in the New Year in 2018.
On a beach in Nice, François meets the mysterious Peggy and falls in love with her. Following her to a villa, he meets Marc, a lawyer who has a strange relationship with the girl.
Kenan's wife is murdered by five people, and his daughter is sent to a children's home. Kenan kills four of his wife's five murderers, but is sent to prison and sentenced to 20 years.
The actual Viscount Arnau wants to acquire the power and fame that had their ancestors. For this reason decided to hav many children, preferably males, to revive the Empire.