Sonbert's vivid color palette enhances the ritualistic nature of each action observed. Set against this lush panorama, Sonbert subverts the expectation of classic cinematography with a liberal sprinkling of avant-garde techniques. The incorporation of the materiality of film, the treatment of light, and the use of a hand-held camera, all suggest the influence of Stan Brakhage (Sonbert's "hero"). Sonbert's use of the shot as the foundation of his silent montage works parallels the use of the frame as the basic filmmaking unit in the films of Gregory Markopoulos (Sonbert's "mentor"). -- Jon Gartenberg
Carrie may be ostracized, but the shy teen has the ability to move objects with her mind. So when the high school "in crowd" torments her with a sick joke at the prom, she lashes out with devastating -- and deadly -- power.
A quiet and inconspicuous man (Trelkovsky) rents an apartment in France where the previous tenant committed suicide, and begins to suspect his landlord and neighbors are trying to subtly change him into the last tenant so that he too will kill himself.
Bored and restless, Alice spends much of her time lusting after Jim, a local sawmill worker. When not lusting after him, Alice fills the hours with such pursuits as writing her name on a mirror with vaginal secretions and wandering the fields with her underwear around her ankles.
A group of people from different backgrounds have one thing in common: when they hear the world "gumball" whispered by one of the others, they know that it's time for the Gumball Rally: a no-holds barred, secret, winner-take-all rally across the USA.
Have you watched Rude Awakening yet? What did you think about it?