The film is a sort of presentation of Franco Fortini's book 'I Cani del Sinai'. Fortini, an Italian Jew, reads excerpts from the book about his alienation from Judaism and from the social relations around him, the rise of Fascism in Italy, the anti-Arab attitude of European culture. The images, mostly a series of Italian landscape shots, provide a backdrop that highlights the meaning of the text. - Fabrizio Sabidussi
Alanis Obomsawin’s documentary The People of the Kattawapiskak River exposes the housing crisis faced by 1,700 Cree in Northern Ontario, a situation that led Attawapiskat’s band chief, Theresa Spence, to ask the Canadian Red Cross for help.
In the sixties, Swedish filmmaker Ingmar Bergman (1918-2007) built a house on the remote island of Fårö, located in the Baltic Sea, and left Stockholm to live there.
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Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.
Amanda is a divorced woman who makes a living as a photographer. During the Fall of the year Amanda begins to see the world in new and different ways when she begins to question her role in life, her relationships with her career and men and what it all means.
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Alternative movies trailers for Fortini/Cani
More movie trailers, teasers, and clips from Fortini/Cani:
Fortini/Cani (Jean-Marie Straub Danièle Huillet)
Fortini/Cani (Jean-Marie Straub Danièle Huillet) Italia 1976 Franco Fortini legge brani dal suo saggio "I cani del Sinai". "Fare il cane del Sinai pare sia stata ...
Popular movie trailers from 1977
These some of the most viewed trailers for movies released in 1977:
Liza, a schoolgirl, meets and falls in love with her classmate's brother, Paul. When she discovers she is pregnant, they each must consider the consequences as outlined by their respective parents.
Avant-garde appeal on behalf of and made by the adventurous leftist London cinema, The Other Cinema, using the facilities provided by the BBC community programme unit.
