It is the first Toei yakuza film directed by Akinori Matsuo, who was active in Nikkatsu action movies. It is a local yakuza movie made following Okinawa Yakuza War (1976) and Hokuriku Proxy War (1977). The film depicts the war between a storied yakuza killer (Hiroki Matsukata) and the largest organized crime group in the Kansai region, which plans to advance into the Kanto region.
Forced on the road by yakuza obligations, a man sets out on a reckless journey to Tsumagoi. Movie posters for local cinemas were often displayed at sento (public baths) too.
A lethal assassin for a secret Chinese organisation, who sheds tears of regret each time he kills, is seen swiftly and mercilessly executing three Yakuza gangsters by a beautiful artist.
As sadomasochistic yakuza enforcer Kakihara searches for his missing boss he comes across Ichi, a repressed and psychotic killer who may be able to inflict levels of pain that Kakihara has only dreamed of.
Murakawa, an aging Tokyo yakuza tiring of gangster life, is sent by his boss to Okinawa along with a few of his henchmen to help end a gang war, supposedly as mediators between two warring clans.
Ryotatsu, the wayward Priest blinded by Shinkai, the Wicked Priest, has his own story in this ultra-violent tale from the era of the Meiji Reconstruction.
It is the third film in the Gokudo series. In this episode, set in 1937, the main character of the series gang leader Shimamura is drafted into the military and fight in China.
Minami mistakenly kills a gangster associate of his named Brother. Almost as soon as the murder takes place, the body of the deceased man is gone, prompting Minami to conduct a search.
Encouraged by the stories of guest workers who pay visit to their homeland, a young man Filip finds himself on a central station in Frankfurt on the Main, Germany.
A former resident of the town of Peyton Place, now wealthy and powerful, secretly returns to the town and sets in motion a spate of killings designed as revenge for past wrongs.
a time-lapse glimpse of the Madison, WI skyline from dusk to dark. Shot from within a hotel room, the street traffic and the reflected interior interpenetrate in gradually shifting superimposition.
