Mondo Cane and the Schoolgirl Report series stand as obvious influences on this occasionally amusing but generally rather tedious exploitation film that alternates between documentary, fake documentary and docudrama. The theme is Satanism and the linking thread is a recreation of what is supposedly the real-life case of a murder and attempted murder of two Munich teenage men by a quartet of girls who had been dabbling in devil worship. During the ensuing trial, the lawyer resorts to dilatory tactics while the hearing is frequently interrupted by the girls breaking into incantation, temper tantrums or shivery fits ostensibly bearing on demonic possession. When the subject of the Manson killings is brought up, the most obnoxious of the defendants breaks in indignantly, claiming that Sharon Tate’s “execution” was justified as she posed dangers to the Satanic community.
Mi-yeong's boyfriend, Joon-cheol, works at a meat restaurant. On the first day, he is shocked by how Mi-yeong's youngest aunt, Seo-yeong, was so young and sexy back in the day.
One of the many German "report" sexploitation films from the early 1970s, with the only distinction that it focuses on female apprentices instead of schoolgirls.
Stud's world revolves entirely around sex, sex, and more sex — an interest he shares with his way-out friends and his girl Kitty, who likes her men mean and muscular!
A photographer is tasked to take a photo of a rare flower thriving in the mountain, but he discovers women trapped in a hidden brothel for illegal loggers.
One man and five women?! Chic, innocent, sexy, tough and mysterious, take your pick. Myeong-tae was a hot shot in a stock firm who had everything from looks to a hot body but was fired for a mistake he made and is neglected by his hot shot wife.
Horror legend Tom Holland dares you to join him for nine nerve-shredding, totally Twisted Tales. Serving up a mind-bending assortment of the macabre, it’s an anthology fine-tuned to keep you on the edge of your seat.
A pair of sexy bisexual nurses live in an apartment building, one floor up from a middle-aged couple and their son Albert, who is busy putting his new science project—a periscope—to good use by spying on the lingerie-wearing lovelies.
Taking the stage with the sun sinking in the West, Cheap Trick opened their Reading Festival appearance aptly with the raucous, quick-hittin' action of "Hello There", followed by the power pop rockin' "Come On, Come On".
John Dexter’s brilliant production, James Levine’s masterful conducting of the eclectic score, and a sensational cast come together to make this Kurt Weill–Bertolt Brecht masterpiece a riveting evening of music theater.
