Factory worker Osamu (Akira Sakai) has been despondent ever since he saw his girlfriend getting gang-raped. He has a difficult time thinking of anything else. Meanwhile, his boss asks him for a favor. Apparently, the bossman’s son is too-o-o serious about a girlfriend, Yuki (Minako Mizushima). The boss wants the relationship destroyed and asks Osamu to arrange an “unforgettable situation.” Osamu and his friends stalk the lovers to a secluded vacation house where rape delirium erupts (although Osamu isn’t capable of participating). A bit later the boss and two women show up, presumably to check on the results. But Osamu’s gang is completely unhinged from the assault and they attack the newcomers, turning the place into a sexual hell.
Min-gyu, Soo-yeon, Young-suk, Wisdom, and Cho-hye go to a three-room pension. Solo Cho Hye-man sleeps in the attic room of Fumijin, and the rest of the friends are couples, so they are assigned a good room.
A cloudy riverbank. Kazuko, a one-piece woman with a floral pattern, stands under the viaduct. She was abandoned here when she was young and raised by a homeless man who lives there.
Kazuko, a 35-year-old virgin woman, lonely and very newbie, was watching and sketching Asuka, a young college girl, while she was having sex with a stranger on a beach.
John Dexter’s brilliant production, James Levine’s masterful conducting of the eclectic score, and a sensational cast come together to make this Kurt Weill–Bertolt Brecht masterpiece a riveting evening of music theater.
Gloria Fontanesi is a girl who works as a factory worker but carries within her a great passion: dancing! Success comes one night, when due to a delay by Renato Zero, the stage is finally hers.
In the ravaged near-future, a savage motorcycle gang rules the road. Terrorizing innocent civilians while tearing up the streets, the ruthless gang laughs in the face of a police force hell-bent on stopping them.
The Riehl family has recently owned a small house in a new development in the countryside. Mr. Riehl drives into town every morning, where he works in a furniture store.
During the time of the Peasants' Wars, the free knight Götz von Berlichingen gets into all kinds of private and political entanglements when he defends the Bishop of Bamberg.
“I don’t drive, but I know people who’ll drive 100 metres to go to the shops. Our society is obsessed with the car, with coming and going, getting somewhere.
