A young woman is fed up with the usual consumer's television and begins to make her own television, or more correctly, closevision. She is now a reporter who wanders around Berlin with her camera and 'telecasting apparatus' on her back. Her livingroom has been transformed into a studio and here the different programs are assembled and aired: statements, interviews, realistic and phantastic programs.
Across the installation's multiple channels, the camera circles a group of artists as they sit together in a field eating, licking, and squeezing ripe tomatoes.
A purple and orange fluid spreads in volutes in the maritime estuary of the St. Lawrence. Between visual ballet and lyrical flights, Release plunges us into an enigmatic and sensory experience.
Sunny. Semantic sequences guide the gaze, a gaze that is sometimes raised, propelled downwards, then too high or motionless in front of an unrecognizable and yet so familiar vision.
Lake gazes down at a still body of water from a birds-eye view, while a group of artists peacefully float in and out of the frame or work to stay at the surface.
Mimosa is about a girl growing up in an orphanage who tries to make life fun for all the residents. It's a great Easter story, an animated fairy tale about a witch kid and what she's up to in the orphanage while the mother witch whips around with her broom.
The film is inspired by the Mário de Sá-Carneiro short story, where the narration is made by Professor Antena's assistant who walks by his side when he is run over in a perhaps enigmatic way.
Faithful adaptation of a story by Tomasi di Lampedusa on the encounter between a man and a mermaid, for the television series Ten Italian directors, ten Italian short stories , in which Gianni Amelio, Luigi Comencini, Carlo Lizzani participated among others.
