A young woman is fed up with the usual consumer's television and begins to make her own television, or more correctly, closevision. She is now a reporter who wanders around Berlin with her camera and 'telecasting apparatus' on her back. Her livingroom has been transformed into a studio and here the different programs are assembled and aired: statements, interviews, realistic and phantastic programs.
Across the installation's multiple channels, the camera circles a group of artists as they sit together in a field eating, licking, and squeezing ripe tomatoes.
A purple and orange fluid spreads in volutes in the maritime estuary of the St. Lawrence. Between visual ballet and lyrical flights, Release plunges us into an enigmatic and sensory experience.
Sunny. Semantic sequences guide the gaze, a gaze that is sometimes raised, propelled downwards, then too high or motionless in front of an unrecognizable and yet so familiar vision.
Lake gazes down at a still body of water from a birds-eye view, while a group of artists peacefully float in and out of the frame or work to stay at the surface.
A guy picks up a girl hitchhiking and starts making advances to her to sleep with her, albeit with the ruse of offering to do a photo shoot so that she can succeed as a model.
Mimosa is about a girl growing up in an orphanage who tries to make life fun for all the residents. It's a great Easter story, an animated fairy tale about a witch kid and what she's up to in the orphanage while the mother witch whips around with her broom.
When his parents are killed by three men, Amar, Akbar and Anthony, Vijay teams up with a forest officer who was framed in a murder case to avenge their deaths.
“The details of the young actor’s face – his eyes, eyebrows, earlobe, chin, etc. – are set opposite the old buildings in the market quarter of Athens, where every street is named after a classic ancient Greek playwrite.
