Across the installation's multiple channels, the camera circles a group of artists as they sit together in a field eating, licking, and squeezing ripe tomatoes. Throughout the ever-changing scene, kisses, whispers, and caresses are shared with a casual, gentle intimacy that reflects interconnectivity and abundance. These queer and desirous exchanges constitute a portrait of collectivity wherein individuals come together as distinct parts of a whole.
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An interconnected look at tradition, colonialism, property, faith, and science, as seen through labor practices that link an endangered salamander, mass-produced apples, and the evolving fields of genomics and machine learning.
The experimental documentary filmed at rescue centres in Prague and Vlašim refuses the anthropocentric perspective and views the world through the eyes of wounded animals.
This film is an imprint on the film strip, an imprint in the mind just like a memory of my father’s garden where a child is playing; an imprint of the father on the garden as a reflection of his character; an imprint of the garden on the father; an imprint of him on a person.
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The story of the former beauty queen and singer, Anita Bryant, who later in life gained notoriety by campaigning in the 1970s to repeal laws that prohibited discrimination on the basis of sexual orientation.
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The new film aims to show how the Bible and Judeo-Christian values were deeply influential to the formation of the United States of America and how that influence has steadily eroded in the public square.
After realizing she is the link to saving the inhabitants of earth, one woman and her allies take on a corrupt organization to save the planet and humanity.