From March to June 1983, the Dutch comedian Freek de Jonge performed his fifth solo performance: De mythe ('The myth'). In the programme booklet he included the following quote from Polish-British anthropologist Bronislaw Malinowski: 'Myth as it exists in a savage community, that is in its living primitive form, is not merely a story told but a reality lived.'
A video-registration of the revue/cabaret show 'Showponies 2' by the Alex Klaasen Revue. In this sequel to the first Showponies-show, Alex Klaassen explores to what extent he cares about what (the still quite heteronormative) society thinks.
The critically acclaimed Dutch theatre show filmed live on stage. This fabulous and hilarious modern revue tackles themes such as pornography, dating apps, homosexuality and ponycamps in a uniquely musical way.
The Dutch musical comedian sings and talks about art school, paintings and going underground in this posthumous released registration of his show from 2012.
The first solo program by the Dutch cabaret artist Harrie Jekkers. Jekkers tells and sings about dual earners, and visits a vintage coffee tent in The Hague where workers solve all world problems.
Stage registration of the third comedy special by Dutch comedian Micha Wertheim. A show about the "news addiction" that dominates the current media landscape, and about the problematic functioning of rhetorical devices like irony and satire.
When the 'Lowly Ronin' helps an orphaned teenage girl avoid being turned into a prostitute, she then claims he is her father and they start a farm as father and daughter until fate steps in and he must draw his sword.
Traveling through villages along the Nicaraguan-Honduran border, the filmmakers document the impact of the covert war against Nicaragua's Sandinista government, featuring interviews with mercenaries, soldiers, spies and civilian victims.
“The details of the young actor’s face – his eyes, eyebrows, earlobe, chin, etc. – are set opposite the old buildings in the market quarter of Athens, where every street is named after a classic ancient Greek playwrite.
Set in Hamburg's “Hell's Kitchen,” a waterfront milieu of gangsters, pimps, dealers and prostitutes, the story follows the attempts of an ex-seaman first to insinuate himself into the scene, and then to extricate himself from it.
