A short experimental film about bullfighting. A narrator tells of faith in an obsession with love and problems in a macho society. The title derives from words painted on a dilapidated house in the desert on the way to bullfights in Mexico.
Traveling through villages along the Nicaraguan-Honduran border, the filmmakers document the impact of the covert war against Nicaragua's Sandinista government, featuring interviews with mercenaries, soldiers, spies and civilian victims.
In 1921 the Kwakiut'l people of Alert Bay, British Columbia, held their last secret potlatch. In 1980 at Alert Bay, the U'mista Cultural Centre (U'mista means "something of great value that has come back") opened its doors to receive and house the cultural treasures which were seized decades earlier and only then returned to the people.
When a dedicated jockey finds that the local politicians are not to be trusted and begins to feel his romance with a beautiful woman slowly slipping away, his last-ditch effort to risk it all for his trusted horse Palomo shows that sometimes animals are truly man's best friend.
The film is inspired by the Mário de Sá-Carneiro short story, where the narration is made by Professor Antena's assistant who walks by his side when he is run over in a perhaps enigmatic way.
When the 'Lowly Ronin' helps an orphaned teenage girl avoid being turned into a prostitute, she then claims he is her father and they start a farm as father and daughter until fate steps in and he must draw his sword.
This official entry to the first Metro Manila Film Festival in 1983 directed by Lino Brocka and starred Carmi Martin, Phillip Salvador, Dennis Roldan, Vic Diaz, and Tony Santos, Sr centers on the story of Gigi, a burlesque dancer who is the main attraction of show.
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