These six essays on film/image history reconstruct cinema history by 're-imagining' its origins, and its poetries, and use historical films themselves (as 'text') to provide the meanings of their creations. Together, these film essays comprise a critical/structural investigation of silent cinema ending with Segei Eisenstein's works (for Stalin) - from Lumiere and Melies through surrealism and horros, to montage and propaganda, we 're-invent' epochs in cinema that became its language and culture.
A man wanders out of the desert not knowing who he is. His brother finds him, and helps to pull his memory back of the life he led before he walked out on his family and disappeared four years earlier.
When Billy Peltzer is given a strange but adorable pet named Gizmo for Christmas, he inadvertently breaks the three important rules of caring for a Mogwai, and unleashes a horde of mischievous gremlins on a small town.
The familiar story of Lieutenant Bligh, whose cruelty leads to a mutiny on his ship. This version follows both the efforts of Fletcher Christian to get his men beyond the reach of British retribution, and the epic voyage of Lieutenant Bligh to get his loyalists safely to East Timor in a tiny lifeboat.