These six essays on film/image history reconstruct cinema history by 're-imagining' its origins, and its poetries, and use historical films themselves (as 'text') to provide the meanings of their creations. Together, these film essays comprise a critical/structural investigation of silent cinema ending with Segei Eisenstein's works (for Stalin) - from Lumiere and Melies through surrealism and horros, to montage and propaganda, we 're-invent' epochs in cinema that became its language and culture.
For 'Et les chiens se taisaient' Maldoror adapted a piece of theatre by the poet and politician Aimé Césaire (1913–2008), about a rebel who becomes profoundly aware of his otherness when condemned to death.
Penthesilea, the first of six films made by Laura Mulvey and Peter Wollen, traverses thousands of years to look at the image of the Amazonian woman in myth.
As the city of Paris and the French people grow in consumer culture, a housewife living in a high-rise apartment with her husband and two children takes to prostitution to help pay the bills.
Alinur, a student filmmaker, tries to make a film about the apocalypse for his capstone project. The movie itself happens to be about a mercenary named M who inadvertently causes an apocalypse.
A youngster writes a letter to his grandmother about his last trip to Donosti (Spain). This city inspires him to ponder about the language of cinema, time, cities, and sharing memories with our loved ones.
Bern, 1979: a tower block called Tscharnergut. A group of friends get together to make a film about their experiences growing up in suburban Switzerland.
Freely adapted from the eponymous novel, Une vie pour deux is inspired by real events, the discovery by the novelist's husband (director Jean-Pierre Ronfard) of the corpse of a young woman on a beach in Ireland in the late 1970s.
Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
Alternative movies trailers for Visual Essays: Origins of Film
More movie trailers, teasers, and clips from Visual Essays: Origins of Film:
Storming the Winter Palace ('Visual Essays: Origins of Film') - a film by Al Razutis
Storming the Winter Palace - a film by Al Razutis 1984 - 1 min. excerpt - part of Visual Essays: Origins of Film by Razutis (6 film series). Poetic interpretation of ...
Popular movie trailers from 1984
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A cruel hitman nicknamed "Kamikaze" uses all kinds of methods to carry out his jobs. One day he will have to face an old enemy who has an old account pending with him.
Through performatic acts and some exposition, a group of poets of that 1980's generation make great use of words, poems and rebellious acts criticizing the then current generation and its lack of admiration for the poetic works that were being created.
