Dvořák's "Rusalka" in a production by David Pountney at the English National Opera in 1986. Mark Elder conducts the orchestra, accompanied by the English National Opera Chorus in English.
Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Salzburger composer Wolfgang Amadeus Mozart.
Kristine Opolais is the young woman whose conflicting desires for love and luxury lead to her tragic end, and Roberto Alagna plays the man who falls for her in Puccini’s early hit.
Set in 16th-century France and Spain, Don Carlos tells of the political and amorous rivalry between King Philip II and his son, Don Carlos, over Elisabeth de Valois.
The grand scale and magnificent acoustics of the Roman arena in Verona are ideally suited to the pageantry of Verdi's Egyptian opera, presented here in a staging that is true to the original 1913 production, framed by obelisks and sphinxes and filled with chorus and dancers.
Performed at Madrid's historic Teatro Real in 2018, Ivor Bolton conducts Benjamin Britten's opera based on Lytton Strachey's 1928 Elizabeth and Essex: A Tragic History.
After the acclaimed Met premiere of Thomas Adès's "The Tempest" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic "El Ángel Exterminador", during the 2017–18 season.
Non-musical account of Puccini's opera: Tosca and Cavaradossi are in love, but the tyrant Scarpia desires Tosca and oppresses Cavaradossi who is fighting for freedom.
Beethoven’s only opera is a masterpiece, an uplifting story of risk and triumph. In this new production, conducted by Antonio Pappano, Jonas Kaufmann plays the political prisoner Florestan, and Lise Davidsen his wife Leonore (disguised as ‘Fidelio’) who daringly sets out to rescue him.
Deep in a forest where druids and warriors seek revenge against the conquering Romans, Norma is scorned by the Roman proconsul Pollione, with whom she has two children.
After Tristan und Isolde (2016), Parsifal (2017) and Die Meistersinger von Nürnberg (2018) this is the fourth installment of the exclusive, multiyear partnership between Deutsche Grammophon and the Bayreuth Festival, in which the Yellow Label is the exclusive audiovisual partner of the mythical Wagner festival, releasing each edition's new production on Blu-ray.
Alternative movies trailers for Rusalka
More movie trailers, teasers, and clips from Rusalka:
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Magdaléna Hajóssyová als Rusalka (1. Akt)
Zum 70. Geburtstag von Kammersängerin Magdaléna Hajóssyová in diesem Jahr (): RUSALKA (Dvořák) - 1. Akt (1. Teil also solange Rusalka singt und ...
Antonín Dvořák - Rusalka (polonéza - árie Vodníka - sbor Květiny bílé)
Smíšený pěvecký sbor Janáček z Jablonce nad Nisou. 17.června 2016 jsme vystoupili na slavnostním koncertě k 150. výročí povýšení Jablonce nad Nisou na ...
A Sereia - Lago dos Mortos - Rusalka: Ozero myortvykh .31 de janeiro de 2019.Trailer Legendado
SINOPSE E DETALHES : A SEREIA - LAGO DOS MORTOS Uma sereia malvada se apaixona por Roman noivo de Marina e tenta mantê-lo longe dela em seu ...
Popular movie trailers from 1986
These some of the most viewed trailers for movies released in 1986:
In this film, Humbert is on the trail of his own history. Wolfsgrub is the name of the house where Humbert's mother lives, and though she is getting on in years, she becomes young again as she answers her son's questions.
Imagine a surreal narrative, without dialogue, in a style reminiscent of the 1920s silent era and seen through the lens of moving voyeuristic camera that records the odd whereabouts of an unseemly group of marginal tenants.
A film portrait that falls somewhere between a painting and a prose poem, a look at a woman’s daily routines and thoughts via an exploration of her as a “character”.
Writes Viola: "Sodium Vapor was recorded over a period of several weeks in the hours between one and five in the morning on the streets of an industrial area in lower Manhattan.
Nathaniel Box, a self-styled prophet, along with his daughter Barbara and her fiancé Curtis, holds a night time press conference in an underground car park, devoutly believing that "a new Messiah for a New Age" will appear there before dawn - and their wait does not go unrewarded.