Once again, director Shunichi Kajima and star Takanori Jinnai are teaming up to create a new type of yakuza film that stylishly depicts the short but vibrant life of legendary urban yakuza Takashi Hanagata.
As sadomasochistic yakuza enforcer Kakihara searches for his missing boss he comes across Ichi, a repressed and psychotic killer who may be able to inflict levels of pain that Kakihara has only dreamed of.
Two New York cops get involved in a gang war between members of the Yakuza, the Japanese Mafia. They arrest one of their killers and are ordered to escort him back to Japan.
Ryūichi and his small gang of Triad vie for control of the Japanese underworld in a crime-ridden Shinjuku quarter while Detective Jojima tries to bring it down.
A lethal assassin for a secret Chinese organisation, who sheds tears of regret each time he kills, is seen swiftly and mercilessly executing three Yakuza gangsters by a beautiful artist.
Minami mistakenly kills a gangster associate of his named Brother. Almost as soon as the murder takes place, the body of the deceased man is gone, prompting Minami to conduct a search.
A filmmaker recalls his childhood, when he fell in love with the movies at his village's theater and formed a deep friendship with the theater's projectionist.
The real horror is worse than - than a horror film, worse than - than the worst horror film. A story about some who are producing horror and special effects.
The short film, a collaboration between the multimedia research group Giovanotti Mondani Meccanici and Loretta Mugnai, combines both film and electronic elements.
Hunter S. Thompson speaks out on: the Iran/Contra affair, George Bush, Ronald Reagan, Politicians and Lawyers, John McFarlaine, Oliver North, and Richard Nixon.
An interview with the production team behind the hit Broadway musical as they discuss the conception and development of Les Miserables as a pop-culture phenomenon.
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Have you watched Kizu yet? What did you think about it?