No. 5 Reversal opens with a close up sequence of two women in animated conversation, followed by an aural page/station structure. The film combines elements of horizontal and vertical montage in the soundtrack, using white noise, and radio static as a fragmentation device. The visually striking black and white photography weaves lyrical, pastoral nature with the de- and re- construction of civilization. No. 5 Reversal ends with a filmic signature, an image of its maker framed in front of a window against a backdrop of ruins.
On the occasion of a dance competition a young ballet dancer is in a foreign place. Alone in his hotel room loneliness overpowers him, until he meets a stranger on the run.
Basil Stitt, in the aftermath of an inexplicable incident, decides to sequester himself inside his apartment, setting the stage for a profound transformation.
After being ditched by her cameraman because of her manipulative behavior at a murder scene, a reporter wanders through town looking for a phone she can use.
Two girls with homosexual tendencies decide to open the luxury brothel "Rose Blue Light". Then, one of them has a brush with the law, and she gets hopelessly smitten by the investigating policewoman's beauty.
A music video compilation was also released by A&M Records alongside the album. It contained (in order) music videos for "Stay" and "Just Another Day" from Dead Man's Party, "Gratitude" from So-Lo, "Little Girls" from Only a Lad, "Nothing Bad Ever Happens" from Good for Your Soul, and "Private Life" from Nothing to Fear.
