The filmmaker recycles the discarded material from Concertino, a film conceived for a piece for ten dancers by the same name by Catherine Diverrès, a celebration of bodies shaken by emptiness.
Dim-witted and stuttering Pidol is the brunt of his townsfolk's ridicule. Not even being reconciled to his dad Andres changes his luck, for under Andres' nose Pidol is tormented by his stepmother Husing and stepdaughter Sunshine.
Andreas, who is ten, has been brought up by his grandmother. When she dies, he removes a putto from the crucifix placed upon her, puts it in his mouth and does not speak again.
A heartfelt story about the borderlands of childhood, about a boy who is still a child, but who is touched by an inexplicable, barely discernible feeling of love.
The boisterous good humor of Jurmala, the nickel-mine owner, is, if anything, only barely dented by the raging battles in Finland before, during and after World War Two.
As he gradually turns mad, the dancer Nijinsky evokes the important episodes of his life. In costumes and sets of lush beauty, the divine puppet performs in a final show where the secondary characters are named: Diaghilev, Isadora Duncan, Stravinsky, Auguste Rodin, Léon Bakst.
The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway.