A screen adaptation of the ballet to music by D. Gershwin, staged by the Moscow Academic Musical Theatre named after K.S. Stanislavsky and V.I. Nemirovich-Danchenko, choreography by D. Bryantsev.
When a beautiful country girl leaves her farm and baby behind to pursue a singing career in Nashville, her naïve dreams of stardom descend into a perverse nightmare.
Dim-witted and stuttering Pidol is the brunt of his townsfolk's ridicule. Not even being reconciled to his dad Andres changes his luck, for under Andres' nose Pidol is tormented by his stepmother Husing and stepdaughter Sunshine.
Andreas, who is ten, has been brought up by his grandmother. When she dies, he removes a putto from the crucifix placed upon her, puts it in his mouth and does not speak again.
Young people living in Poland in the late 1960s had to face difficult times and make tough choices. Some of them were forced to leave their country for having Jewish origin.
Joseph Mnwana arrives at Heathrow on a flight from Johannesburg and asks for political asylum. But what is he fleeing from? The authorities are suspicious, and Joseph has an uncertain future in store.
"I have not been very active as a social filmmaker anymore after the revolution, though I had great plans and projects at the start of the revolution! So far I have made many so-called commissioned industrial films for national oil, gas, and steel companies as well as for government ministries, in which I tried to bring the films as close as possible to my taste and to my way of thinking and make the films' sponsors to see the world from content and formal viewpoints.
Lakshya finds a bottle, which has Gangaram trapped in it who is his lookalike. He promises to make everything possible with the sand in the bottle, but once the sand is over he will be free to go.
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