Join us for a screening of Reza Abdoh’s extraordinary, site-specific work Father was a Peculiar Man, an adaptation of Dostoyevsky’s The Brothers Karamazov staged in New York City’s Meatpacking District in the summer of 1990. Produced by Anne Hamburger’s En Garde Arts, Father was a Peculiar Man showed how brilliantly Reza applied his specific site-based approach that he developed in Los Angeles to New York City’s urban infrastructure. One of the goals of En Garde Arts’s site-specific journeys through New York’s Meatpacking District was to use the local architecture as a theatrical set while at the same time evoking and playing with the history of the place. The half-deserted cobblestone streets south of Chelsea enhanced the play’s nineteenth-century references. The neighborhood’s past as both a meatpacking and transportation hub via the High Line trains as well as a former center for after-hours sex clubs merge as perfect background for Reza’s spectacular tableaus of gluttony and lust.
What if Konstantin Gavrilovich, from Anton Chekkov's famous play, did not commit suicide and was murdered instead? And who did it? Boris Akunin's take on The Seagull unfolds as a comedic murder mystery.
Victor, a disillusioned 60-something whose marriage is on the rocks, opts to relive the week of his life when, 40 years earlier, he met his true love through a company that allows customers to return to the time period of their choosing.
Out of work actor Joe volunteers to help try and save his sister's local church for the community by putting on a Christmas production of Hamlet, somewhat against the advice of his agent Margaretta.
Ramba Zamba: a theater with handicapped and non-handicapped people/actresses and actors, which has been living and working on inclusive integrative togetherness impressively every day for thirty years now.
On a West German Autobahn, Robert plummets from a bridge and is hospitalized. As he recovers, he flashes back to a Bulgarian holiday where he met Jutta and her uncle Lothar, who’d ordered a West German passport to smuggle her out of the DDR.
Andreas, who is ten, has been brought up by his grandmother. When she dies, he removes a putto from the crucifix placed upon her, puts it in his mouth and does not speak again.
Vivian is a carefree, streetwise diamond in the rough when she meets sophisticated billionaire Edward in a chance encounter that turns into a week-long business arrangement.
