"As passing through/torn formations concerns his mother's family heritage, Kitchener-Berlin revolves around his father's family hometown. The slash and the hyphen in the titles suggest both severance from the past and connections to it, an ambivalence that is especially poignant for the descendants of the area's German settlers. The history of the area underpins the film, but refuses to bind it or restrict it from free association. Hoffman assembles a wide range of visual materials, including home movies, television news footage, and archival film, as well as his own characteristically enticing images, to build complex layers of superimpositions analogous to the impressions of memory." (Blaine Allen)
In the midst of trying to legitimize his business dealings in 1979 New York and Italy, aging mafia don, Michael Corleone seeks forgiveness for his sins while taking a young protege under his wing.
Wounded Civil War soldier John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.
In 1973 Vietnam, gas bombs are dropped on villages, killing men, women, and children. Two downed American pilots, accused of the bombings, are captured and tortured.
Joseph Mnwana arrives at Heathrow on a flight from Johannesburg and asks for political asylum. But what is he fleeing from? The authorities are suspicious, and Joseph has an uncertain future in store.
The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway.
Andreas, who is ten, has been brought up by his grandmother. When she dies, he removes a putto from the crucifix placed upon her, puts it in his mouth and does not speak again.
Comments
Have you watched Kitchener-Berlin yet? What did you think about it?