Three women. A loss in each case. Three different situations. The words the same each time. The meaning changes subtly with each interpretation. Todd makes the same use of repetition to great effect in the earlier film Out (1990) in which three women each present the same soliloquy to camera, addressing an absent loved one with some anger and regret. The film goes beyond a lesson in acting style and interpretation to become a moving expression of feeling in the aftermath of death from the point of view of one left behind. Each woman recites her lines of grief in a different setting: from behind an ironing board in an apartment block, in a chair by a window, or in a dim interior of an office over-shadowed by looming office block outside.
"I have not been very active as a social filmmaker anymore after the revolution, though I had great plans and projects at the start of the revolution! So far I have made many so-called commissioned industrial films for national oil, gas, and steel companies as well as for government ministries, in which I tried to bring the films as close as possible to my taste and to my way of thinking and make the films' sponsors to see the world from content and formal viewpoints.
In the daytime, an ordinary high school girl's English teacher, but at night, the dynamite body of Super Lady Reiko, who defeats the villains who are infested in the world as an agent of a mysterious organization, explodes.
This tribute to Myrna Loy is organized chronologically with a few photographs, many film clips, a handful of personal appearances, and a detailed commentary delivered on camera by Kathleen Turner.
When a beautiful country girl leaves her farm and baby behind to pursue a singing career in Nashville, her naïve dreams of stardom descend into a perverse nightmare.
The secretive realm of the world's deadliest ninja warriors is thrown into chaos as one by one, ninja clan leaders are brutally assassinated! What fiendish foe has the power to kill the most dangerous men in the world? To avenge their dead leader, three ninjas must face this hidden enemy.
As he gradually turns mad, the dancer Nijinsky evokes the important episodes of his life. In costumes and sets of lush beauty, the divine puppet performs in a final show where the secondary characters are named: Diaghilev, Isadora Duncan, Stravinsky, Auguste Rodin, Léon Bakst.
