Three women. A loss in each case. Three different situations. The words the same each time. The meaning changes subtly with each interpretation. Todd makes the same use of repetition to great effect in the earlier film Out (1990) in which three women each present the same soliloquy to camera, addressing an absent loved one with some anger and regret. The film goes beyond a lesson in acting style and interpretation to become a moving expression of feeling in the aftermath of death from the point of view of one left behind. Each woman recites her lines of grief in a different setting: from behind an ironing board in an apartment block, in a chair by a window, or in a dim interior of an office over-shadowed by looming office block outside.
The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway.
A heartfelt story about the borderlands of childhood, about a boy who is still a child, but who is touched by an inexplicable, barely discernible feeling of love.
In the midst of trying to legitimize his business dealings in 1979 New York and Italy, aging mafia don, Michael Corleone seeks forgiveness for his sins while taking a young protege under his wing.
The secretive realm of the world's deadliest ninja warriors is thrown into chaos as one by one, ninja clan leaders are brutally assassinated! What fiendish foe has the power to kill the most dangerous men in the world? To avenge their dead leader, three ninjas must face this hidden enemy.
Dim-witted and stuttering Pidol is the brunt of his townsfolk's ridicule. Not even being reconciled to his dad Andres changes his luck, for under Andres' nose Pidol is tormented by his stepmother Husing and stepdaughter Sunshine.
