This is a compilation of Tezuka Osamu's classic animated film masterpieces. His uniqueness and love for animated films can be fully appreciated, ranging from his very first work to the work that marked the culmination of his career as an animated film writer, "The Legend of the Forest." This film was produced for the Tezuka Osamu Exhibition (held at the Tokyo National Museum of Modern Art) in the summer of 1990, and was then released in different parts of Japan. Some of Japan's leading cartoonists and animators who had been good friends with Tezuka Osamu wrote each of the 10 letters comprising the title.
Joseph Mnwana arrives at Heathrow on a flight from Johannesburg and asks for political asylum. But what is he fleeing from? The authorities are suspicious, and Joseph has an uncertain future in store.
In the daytime, an ordinary high school girl's English teacher, but at night, the dynamite body of Super Lady Reiko, who defeats the villains who are infested in the world as an agent of a mysterious organization, explodes.
Otto is turning 65 and a big celebration with relatives and friends is coming up. What does life bring? A comfortable retirement, looking after his beloved grandchildren, lamenting the aches and pains of old age.
As he gradually turns mad, the dancer Nijinsky evokes the important episodes of his life. In costumes and sets of lush beauty, the divine puppet performs in a final show where the secondary characters are named: Diaghilev, Isadora Duncan, Stravinsky, Auguste Rodin, Léon Bakst.
Three part anthology with stories involving a Phantom of the Opera-style killer haunting a theater, four punks who pick the wrong house to rob and a man on the hunt for Bigfoot.
"I have not been very active as a social filmmaker anymore after the revolution, though I had great plans and projects at the start of the revolution! So far I have made many so-called commissioned industrial films for national oil, gas, and steel companies as well as for government ministries, in which I tried to bring the films as close as possible to my taste and to my way of thinking and make the films' sponsors to see the world from content and formal viewpoints.
