Mitsuo goes to Nagoya to visit Izumi, whose father left Izumi’s sad, bar hostess mother for another woman, so together they decide to confront him in Oita. Meanwhile, Izumi’s mother befriends Tora-san and together they travel to Oita to meet them, with Tora-san quickly falling for her en route.
When his travels take him to rural Hokkaido, Tora-san helps a cantankerous old veterinarian (Mifune) in his relationships with his estranged daughter, and a woman in whom he is secretly interested.
Dim-witted and stuttering Pidol is the brunt of his townsfolk's ridicule. Not even being reconciled to his dad Andres changes his luck, for under Andres' nose Pidol is tormented by his stepmother Husing and stepdaughter Sunshine.
The boisterous good humor of Jurmala, the nickel-mine owner, is, if anything, only barely dented by the raging battles in Finland before, during and after World War Two.
As he gradually turns mad, the dancer Nijinsky evokes the important episodes of his life. In costumes and sets of lush beauty, the divine puppet performs in a final show where the secondary characters are named: Diaghilev, Isadora Duncan, Stravinsky, Auguste Rodin, Léon Bakst.
When a beautiful country girl leaves her farm and baby behind to pursue a singing career in Nashville, her naïve dreams of stardom descend into a perverse nightmare.
On the fifteenth anniversary of the exorcism that claimed Father Damien Karras' life, Police Lieutenant Kinderman's world is once again shattered when a boy is found decapitated and savagely crucified.
This half-hour BBC documentary offers a revealing look at Svankmajer at work on "Death of Stalinism in Bohemia," and uses excerpts from his earlier films to trace the development of his unique sensibility.