Hae-il grew up hating his father and unable to adjust to family life. As an adult, he is a toughened young man with a troubled outlook on life. Hae-sung, his younger half-brother is a young man with a sweet disposition who tries to understand Hae-il. Hae-sung and Eun-chae fall for each other but when Eun-chae meets Hae-il, the three form an uneasy love triangle. The pain of loving someone you can not be with takes its toll. Hae-il tries very hard to leave the street life and expresses his feelings to Eun-chae. As Hae-sung begins to resent his brothers actions, they are confronted with their father's death. Their dying father's confession throws their lives into further turmoil. Hae-il vows this time to guard his family. Tragedy strikes when Hae-sung dies trying to save Hae-il's life. Hae-il cries for his dead brother's love and becomes determined to start over with Eun-chae.
The boy who wasn't supposed to grow up—Peter Pan—does just that, becoming a soulless corporate lawyer whose workaholism could cost him his wife and kids.
ITSOFOMO (In the Shadow of Forward Motion) is a multimedia performance collaboration created by artist David Wojnarowicz and composer/musician Ben Neill in 1989.
Carmen, a journalist with two children, is on her third marriage, to Antonio, a record producer. Over the course of a year, we follow her through her discontents: Antonio's lateness, his fatigue when she wants to make love, his insistence on her company when she prefers solitude, his treating her work as less important than his, his casual and cruel dismissal of her opinions, her boss assigning her an incompetent editor, bartenders ignoring her, her passage into middle age.
This short fiction film tells the story of a very unusual satellite named Zenon. Zenon is a product of the most up-to-date technology and so displays an unusual characteristic for a computer: he is conscious.
Documentary about the making of The Changer and The Changed, an album recorded by Cris Williamson in 1975 that became one of the icons of women's music.
Featuring Arnold and Ahneva from Wendy Clarke's One on One video series, this video dialogue deeply connects the pair through discussion of Black brother and sisterhood.
Comments
Have you watched Do You Like Afternoons After a Storm? yet? What did you think about it?
