Algeria is written in the feminine. In a society where the gaze is only masculine, another eye is nonetheless present… The feminine gaze—unsettling, disturbing modesty, breaking taboos, freeing speech… It emerges from the shadows: with Assia Djebar, Algerian writer-historian, we go to meet Algerian women of all generations to enter into their lives, their daily routines, this world where the gaze is supposed to be forbidden. These women tell their own stories, imposing their gaze on the camera for a journey into this half of Algeria condemned to silence… to a clandestine life.
Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers.
Structured as a labyrinth-like game and inspired by Jorge Luis Borges, Aleph is a travelogue of experience, a dreamer's journey through the lives, experiences, stories and musings of protagonists spanning ten countries and five continents.
Orientalism is a literary and artistic movement born in Western Europe in the 18th century. Through its scale and popularity, throughout the 19th century, it marked the interest and curiosity of artists and writers for the countries of the West (the Maghreb) or the Levant (the Middle East).
The autobiographical account of the tormented life of a witness of the century: Louisa Ighilahriz, activist and leading figure in Algerian independence.
May 8, 1945, the day of victory over Nazism, is also a day of mourning. In Algiers, thanks to demonstrations for victory, the Algerian flag appears for the first time, thus claiming independence.
“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977).
These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people.
Alone in a small white house on the edge of national road 1, the Trans-Saharan road, which connects Algiers to Tamanrasset crossing the immensity of the desert, Malika, 74, one day opened her door to the director Hassen Ferhani, who came there to scout with his friend Chawki Amari, journalist at El Watan and author of the story Nationale 1 which relates his journey on this north-south axis of more than 2000 km.
Instead of flying to Florida with his folks, Kevin ends up alone in New York, where he gets a hotel room with his dad's credit card—despite problems from a clerk and meddling bellboy.
Catherine, a novelist with an insatiable sexual appetite, becomes a prime suspect when her boyfriend is brutally murdered -- a crime she had described in her latest story.
A young architect has a double life: he has a beautiful wife and a sexy mistress. His friends advise him to choose one, but this three women gives meaning to his life, including his nosy mother-in-law.
Carolyn Sapp, Miss America 1992 (and a non-actress), plays herself in this drama based on her personal story of abuse and betrayal at the hands of the man she loved, Nu'u Fa'aola, a Samoan pro-football player for the New York Jets.
