Pierre and his wife Anne had a good thing going together, until their son Nicolas was born. Anne traveled with him on all his long truck journeys, and they had frequent and passionate sex. For quite a few years now, Anne has stayed at home to take care of their boy, who is a sickly, weedy little fellow. Pierre is frustrated. Anne is frustrated too but has her almost incestuous feeling for her son to torment her. Even little Nicolas is frustrated, in part due to the knowledge that his father feels that the sacrifice he and his mother made in raising him hasn't been worth the effort. He too has some release in the form of a good relationship with his gigantic dog. When the seething passions of these four discontented mammals reach a crisis point, the result (in this film) is exceedingly ironic.
The friendship between two children is threatened by their parents’ differences. Malú is from a family that was upper-class before the Revolution and remains well-to-do through remittances from relatives overseas, and her single mother (Larisa Vega Alamar) does not want her to play with Jorgito, as she thinks his background coarse and commonplace.
A foreign woman in a burqa brings her young son to a Copenhagen police station to file a complaint against her abusive husband, but the translator assigned to her seems unwilling to convey the true meaning of her words.
In Bodeen, Texas, an indie-rock loving misfit finds a way of dealing with her small-town misery after she discovers a roller derby league in nearby Austin.
In Manhattan, a mother of two preparing for her daughter's sixth birthday party has no idea of the challenges she's about to face in order to pull off the event.
Setsuko, a 55-year-old single 'office lady' in Tokyo, is given a blonde wig and a new identity, 'Lucy,' by her young unconventional English instructor.
Writes Kuchar: "It was my 50th birthday this year (1992) and my friend's birthday, so I explored our position in time and dusty place with a prognostication on future inertia.
Carolyn Sapp, Miss America 1992 (and a non-actress), plays herself in this drama based on her personal story of abuse and betrayal at the hands of the man she loved, Nu'u Fa'aola, a Samoan pro-football player for the New York Jets.
After losing her parents, young flower selling Midori is put up by a fairground group. She is abused and forced to slavery, until the arrival of an enigmatic magician of short stature, who gives her hope for a better future.
Michael Kitchen stars in this two-part television thriller as Steven Vey, a successful London barrister whose seemingly perfect life takes a devastating turn when a fleeting encounter with his secretary spawns a rape charge.
