Reinhold Schünzel is one of the most sought-after actors and directors of cinema of the Weimar Republic. When the National Socialists come to power in 1933, he just releases his legendary gender comedy “Viktor and Victoria“. Despite his Jewish faith, Schünzel is under the special protection of Hitler and can work unhindered due to a special permit. But Schünzel's days in Germany are also numbered.
In his sparkling and pointed artist portrait, director Hans-Christoph Blumenberg tells about the rise and fall of Reinhold Schünzel. The grandiose Peter Fitz mimes a charming, witty and ambitious director. By letting some performers play several roles, Blumenberg cleverly illustrates the recurring conditions with which Reinhold Schünzel faces everywhere. Schünzel's irony, language joke and sophistication in particular congenially transfers Blumenberg to his film.
The dynamic PR-agent Hannah is starting up her dream-job in the Hochstedt Company producing toys and soon falls in love with her firm's junior executive director, Wolfgang.
A year after the murder of her mother, a teenage girl is terrorized by a masked killer who targets her and her friends by using scary movies as part of a deadly game.
Corky, a tough female ex-convict working on an apartment renovation in a Chicago building, meets a couple living next door, Caesar, a paranoid mobster, and Violet, his seductive girlfriend, who is immediately attracted to her.
When Hydro-Québec announced its intention to proceed with the enormous James Bay II hydroelectric project, the 15,000 Cree who live in the region decided to stand up to the giant utility.
A middle-aged couple has a drifter enter their lives. The fish-store owners find that the mysterious young man awakens the couple in ways they didn't expect.
BEAUTIFUL FUNERALS is a hand-painted double-step-printed film composed of 1) dense blackness variously punctuated by brilliantly colored jewel/flower-like shapes AND 2) interruptive white sections which are fuzzily dotted with blurred whites and criss-crossed by black "brushstrokes" and hard-edge straight black and white lines.
