In Sangha, through the window of her house, Germaine greets Djamgouno, her main informant. He then translates for her a conversation she has with a half-blind old man. She recounts her memories of a past party at which Amadigné worked with her as an informant. Later, in front of the cliff, Germaine, Djamgouno and Pangalé are sitting on rocks, and Germaine talks about the many caves that can be visited by climbing small spelunking ladders. Rouch intervenes during the interview, asking the protagonists about the settlement of the cliff by the Dogon, who learned from the Tellem how to climb the cliff. Rouch then asks about the Tellem's predecessors who lived there 2,400 years ago. Germaine admits the ignorance of researchers on the subject, and Rouch concludes by joking about the new task that now falls to Germaine Dieterlen.
Bookended by call-to-action quotes from Margaret Mead and Mahatma Gandhi, this inspiring documentary follows three extraordinary women -- in Bosnia-Herzegovina, Mali, and Vietnam -- as they lead day-to-day battles against ignorance, poverty, oppression, and ethnic strife.
This intimate ethnographic study of Voudoun dances and rituals was shot by Maya Deren during her years in Haiti (1947-1951); she never edited the footage, so this “finished” version was made by Teiji Ito and Cherel Ito after Deren’s death.
AMIN portrays Qashqai musician Amin Aghaie, a young modern nomad and his family who despite facing steep financial, cultural and political obstacles are dedicated to their art and culture.
The young goat herders from the cliff of Bandiagara practice on the stone drums of their ancestors. An ethnomusicological film experiment describing the subtle plays of the right and left hand of Dogon drummers.
A synaesthetic portrait made between French Polynesia and Brittany, Color-blind follows the restless ghost of Gauguin in excavating the colonial legacy of a post-postcolonial present.
In Isère, in the mountainous region of Trièves, is the Tournesol farm, an experiential farm totally autonomous in energy, a veritable laboratory for renewable energies.
A unique 'direct cinema' feature length documentary (no narration or interviews) originally filmed in the Spring of 1970 and concluded during the Summer of 2017 (footage added, restored, and re-edited).
When Ethan Hunt, the leader of a crack espionage team whose perilous operation has gone awry with no explanation, discovers that a mole has penetrated the CIA, he's surprised to learn that he's the prime suspect.
A Catholic school newcomer falls in with a clique of teen witches who wield their powers against all who dare to cross them -- be they teachers, rivals or meddlesome parents.
When Hydro-Québec announced its intention to proceed with the enormous James Bay II hydroelectric project, the 15,000 Cree who live in the region decided to stand up to the giant utility.
When Ashtray moves to South Central L.A. to live with his father (who appears to be the same age he is) and grandmother (who likes to talk tough and smoke reefer), he falls in with his gang-banging cousin Loc Dog, who along with the requisite pistols and Uzi carries a thermo-nuclear warhead for self-defense.
BEAUTIFUL FUNERALS is a hand-painted double-step-printed film composed of 1) dense blackness variously punctuated by brilliantly colored jewel/flower-like shapes AND 2) interruptive white sections which are fuzzily dotted with blurred whites and criss-crossed by black "brushstrokes" and hard-edge straight black and white lines.
A young man makes ends meet by selling camotes in his small providence town, has zero luck getting with the ladies, and is too broke to afford the hookers of the town.
Comments
Have you watched Germaine et ses copains yet? What did you think about it?
