Utpal Dutt stars as Chaudhry, a landowner who comes to town looking to get his daughter Sunita (Zarina Wahab) married to the son of his childhood friend Khanna.
Devdas, the son of a zamindar, and Parvati, his neighbour's daughter, are childhood sweethearts. However, class and caste differences prevent their marriage.
A man, after marrying an heiress, plots his wife's murder and deserts his daughter, only to be shocked when his estranged daughter returns home years later.
Inspired by events from the late '80s and the early '90s that shook the country's financial fabric, The Big Bull tells the story of the biggest hustle in the stock market.
Byomkesh, fresh out of college, agrees to investigate the disappearance of Bhuvan, a chemist. Assisted by Bhuvan's son Ajit, Byomkesh links the case to a larger conspiracy that will unsettle Calcutta.
When an opportunity to write a script for a movie comes to Ajay, an aspiring screen writer, he is thrilled, more by thought of finally being able to prove him to Jiya, the girl he loves, than the knowledge that this could very well be the beginning of a bright future in the world of celluloid.
Military doctor Kwiatkowski, serving in a barracks hospital on the Western Territories, is rewarded with a week’s leave after successfully operating on Colonel Kiziora of the UB.
Filmmaker Ernesto Rimoch looks at the potent combination of love and ambition in this film about a couple who's so happy their daughter is marrying into a rich clan that they throw the best wedding ever, even if they can't afford it.
Director Mohsen Makhmalbaf claims to have never seen a movie before making his first film. Doubtful as it sounds, this boast matches perfectly with the controversial artist's personae.
BEAUTIFUL FUNERALS is a hand-painted double-step-printed film composed of 1) dense blackness variously punctuated by brilliantly colored jewel/flower-like shapes AND 2) interruptive white sections which are fuzzily dotted with blurred whites and criss-crossed by black "brushstrokes" and hard-edge straight black and white lines.
Teenager, Clare Steves, is kidnapped by an old boyfriend, Eddie Spencer, who demands $250,000. The ransom is paid and Clare is released, but when the kidnapers are caught, they claim that the whole scheme was Clare's idea as a way to punish her father.
Australian-born filmmaker George Miller offers a personal view of Australian films. He suggests that they can be regarded as visual music, public dreaming, mythology, and song-lines.
An old tango singer tries to contact his teenage son. A woman who is death or the Devil appears to him and asks him to sell his soul to connect with his son again.
An examination of the evolution of commercials as an artistic medium, featuring interviews with media luminaries who relate how the in-your-face stylistic conventions of commercials have influenced feature films and the visual arts.
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Have you watched Sanshodhan yet? What did you think about it?