Although many of Sala’s works address personal histories—his own and those of others—their themes of trauma, loss, and recovery are universal. Using tropes of both documentary and fictional filmmaking, Nocturnes (1999) approaches these themes in an uneasy exploration of insomnia and personal isolation. The film offers a brief but telling glimpse into the lives and psyches of two men Sala met while studying art in Turcoing, France: Jacques, who collects and obsessively cares for thousands of fish, and Denis, who copes with disturbing memories of his service as a United Nations peacekeeper in Bosnia by playing violent video games.
Maria earns her living fishing in a northern Peruvian village, working alongside her husband. But when her husband is called away to work on larger industrial fishing boat, Maria, who is pregnant, finds ways to act out her anger.
In the small town of Rockwell, Maine in October 1957, a giant metal machine befriends a nine-year-old boy and ultimately finds its humanity by unselfishly saving people from their own fears and prejudices.
Skeptical young detective Ichabod Crane gets transferred to the hamlet of Sleepy Hollow, New York, where he is tasked with investigating the decapitations of three people – murders the townsfolk attribute to a legendary specter, The Headless Horseman.
In a neighborhood bar, a mysterious man tells a group of friends the story of an aspiring soccer player who, 50 years ago, tried out for an English club but who had the peculiar characteristic that he could only play soccer in flip-flops.
A film about fate, co-existence, vanity, justice, karma and forgiveness, ANIMALICOUS comprises six stories of people and the animals that shot them, fell on them, and generally caused mayhem of one sort or another.
CORPUS explores the mass adulation and explosive posthumous recognition of Selena Quintanilla, the Tejano rock singer murdered by the president of her fan club in 1995.
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Have you watched Nocturnos yet? What did you think about it?
