In KENTRIDGE’s cross-disciplinary, cross-media world of artistic creation, images are not merely background supporting characters for theatre or installations, but are seen as an important intermediary to understanding the world. Taking Plato’s ‘Allegory of the Cave’ as an example, he feels that the prisoners in the cave believed the shadows on the wall represented reality not because they were controlled by hallucinations, but because silhouettes projected onto walls by firelight were the beginning of mankind’s understanding of the meaning of the world.
In a neighborhood bar, a mysterious man tells a group of friends the story of an aspiring soccer player who, 50 years ago, tried out for an English club but who had the peculiar characteristic that he could only play soccer in flip-flops.
A film about fate, co-existence, vanity, justice, karma and forgiveness, ANIMALICOUS comprises six stories of people and the animals that shot them, fell on them, and generally caused mayhem of one sort or another.
In the small town of Rockwell, Maine in October 1957, a giant metal machine befriends a nine-year-old boy and ultimately finds its humanity by unselfishly saving people from their own fears and prejudices.
Mario and Berto are brothers and they live in Galicia at the “Finis Terrae”. Their father left them when they were children and they grew up with the idea of finding him someday, without knowing that they were the ones separating from each other.
Lester Burnham, a depressed suburban father in a mid-life crisis, decides to turn his hectic life around after developing an infatuation with his daughter's attractive friend.
Maria earns her living fishing in a northern Peruvian village, working alongside her husband. But when her husband is called away to work on larger industrial fishing boat, Maria, who is pregnant, finds ways to act out her anger.
