What did the old parliament look like when Vikings settled Iceland in 874 A.D.? How has the Icelandic environment changed since man first arrived? Is the human species a blight on the face of the Earth? What will the future look like here? Will the glaciers melt whether we like it or not? Will there be a volcanic eruption in the Reykjavik area? Will soil erosion blow Iceland back into the ocean? Can natural waterfalls replace energy with pollutants - and at what cost to the landscape?
A small town is overrun by ankle-biting-blood-sucking DWARF Vampires. Things get complicated when the vertically-challenged coffin-creepers get their itty-bitty hands on a sword with the blood of the last slain Tall Vampire.
Spike Lee's filmmaking career is examined in this partial making-of for the film 25th Hour (2002). Interviews with cast members from this film and his past successes give us an idea what kind of dedicated person he truly is.
A down and out all girl race team, Maximum Thrust, hires a sexy newbie street racer, Bekka (Beverly Lynne), in hopes of saving a failing business and salvaging street creds and respect.
Om lives in Bombay, India, in a small apartment with mother and sister. Om and his mother are of very conservative taste, when it comes to wearing clothes, however, the sister is not.
In 1933, a mischievous ten year old, Archie, is left in the care of his unattentive father, Charlie, a reluctant gangster indebted to mob boss Benny “The Bomb” Palladino.
Viri is a trendy bar waitress, Lissa works in a supermarket and sings hip-hop, Valeria veterinary studies, Yvonne tries to find a place in the world of music and Lourdes does tattoos on the premises of his brother Pogo.
Young, inexperienced heroes, the Roma girl Darja and the "white" boy Vítek, nicknamed Ken by his friends, fall in love at a drunken dance with the intensity of their first adolescent love, unaware of the world they live in and how a mere name or skin color can arouse hatred and a desire for revenge in others.
Robert McChesney lays the blame for the US's current state of affairs squarely at the doors of the corporate boardrooms of big media, which far from delivering on their promises of more choice and more diversity, have organized a system characterized by a lack of competition, homogenization of opinion and formulaic programming.
