Driven by his struggle against the illness that would ultimately prove fatal, Monteiro fervently devoted himself to his deeply personal last work, a musically structured meditation on spirituality and desire in which he heroically cast himself in the lead role as an eccentric libertine drifting wide-eyed through a sun-drenched Lisbon. A consciously terminal film, Come and Go offers a poetic summation of Monteiro’s fascination with the body as the most irreverent and mysterious of temples, staging a series of playfully austere encounters between the visibly infirm and prematurely aged director and the women with whom he engages in erotic, linguistic and theological debates.
Chris crashes into a carload of other young people, and the group of stranded motorists is soon lost in the woods of West Virginia, where they're hunted by three cannibalistic mountain men who are grossly disfigured by generations of inbreeding.
This is the story of three gentle persons: Paul Rivers an ailing mathematician lovelessly married to an English émigré, Christina Peck, an upper-middle-class suburban housewife, happily married and mother of two little girls, and Jack Jordan, an ex-convict who has found in his Christian faith the strength to raise a family.
Michael Jennings is a genius who's hired – and paid handsomely – by high-tech firms to work on highly sensitive projects, after which his short-term memory is erased so he's incapable of breaching security.