Driven by his struggle against the illness that would ultimately prove fatal, Monteiro fervently devoted himself to his deeply personal last work, a musically structured meditation on spirituality and desire in which he heroically cast himself in the lead role as an eccentric libertine drifting wide-eyed through a sun-drenched Lisbon. A consciously terminal film, Come and Go offers a poetic summation of Monteiro’s fascination with the body as the most irreverent and mysterious of temples, staging a series of playfully austere encounters between the visibly infirm and prematurely aged director and the women with whom he engages in erotic, linguistic and theological debates.
Two lost souls visiting Tokyo -- the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial -- find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.
Chris crashes into a carload of other young people, and the group of stranded motorists is soon lost in the woods of West Virginia, where they're hunted by three cannibalistic mountain men who are grossly disfigured by generations of inbreeding.
The sailor of legend is framed by the goddess Eris for the theft of the Book of Peace, and must travel to her realm at the end of the world to retrieve it and save the life of his childhood friend Prince Proteus.