An adaptation from the controversial John Adams opera about the true life incident that took place in the mid 80s. The liner "Achille Lauro" is on a 12-day cruise in the Mediterranean. While the ship is docked in Alexandria, a maid discovers that four of the passengers are actually members of the Palestine Liberation Organization traveling incognito. Startled by their discovery, the PLO cadre is forced to act. They take the passengers on board hostage and demand the release of 50 Palestinian activists held in Israeli jails. As Egyptian, American, Italian, and Palestinian authorities bicker over the best way to handle the situation (and who would negotiate with the terrorists), the kidnappers find themselves dealing with rebellion among their captives, and an argument between the four PLO members and Leon Klinghoffer, a Jewish-American confined to a wheelchair, eventually escalates into violence.
Joe Dirt is a janitor with a mullet hairdo, acid-washed jeans and a dream to find the parents that he lost at the Grand Canyon when he was a belligerent, trailer park-raised eight-year-old.
When 13-year-old Tracy befriends Evie, the most popular girl in school, her life is turned upside down as Evie introduces her to a world of sex, drugs, and money.
After the acclaimed Met premiere of Thomas Adès's "The Tempest" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic "El Ángel Exterminador", during the 2017–18 season.
Set during a sultry summer in a French suburb, Marie is desperate to join the local pool's synchronized swimming team, but is her interest solely for the sake of sport or for a chance to get close to Floriane, the bad girl of the team? Sciamma, and the two leads, capture the uncertainty of teenage sexuality with a sympathetic eye in this delicate drama of the angst of coming-of-age.
A New York City writing professor, Frannie Avery, has an affair with a police detective who is investigating the murder of a beautiful young woman in her neighborhood.
Deep in a forest where druids and warriors seek revenge against the conquering Romans, Norma is scorned by the Roman proconsul Pollione, with whom she has two children.
During a long, hot summer on the Thamesmead Estate in Southeast London, three teenagers edge towards adulthood.
Alternative movies trailers for The Death of Klinghoffer
More movie trailers, teasers, and clips from The Death of Klinghoffer:
The Death of Klinghoffer: Official Met Trailer
Watch scenes from the Met premiere of John Adams's "The Death of Klinghoffer" opening Monday October 20.
The Death of Klinghoffer: Mrs Klinghoffer's Second Song
An excerpt from John Adams' 1995 opera "The Death of Klinghoffer" based on the hijacking of the Achille Lauro in 1985. The libretto is by Alice Goodman and ...
The Death of Klinghoffer: Mrs Klinghoffer's First Song
An excerpt from John Adams' 1995 opera "The Death of Klinghoffer" based on the hijacking of the Achille Lauro in 1985. The libretto is by Alice Goodman and ...
The Death of Klinghoffer
The Death of Klinghoffer is an American opera with music by John Adams to an English-language libretto by Alice Goodman. First produced in Brussels and ...
Popular movie trailers from 2003
These some of the most viewed trailers for movies released in 2003:
Jacques Peretti's fictional interview with the controversial and quixotic Vincent Gallo, a cult figure in Hollywood despite his criticism of Tinseltown's elite.
Om lives in Bombay, India, in a small apartment with mother and sister. Om and his mother are of very conservative taste, when it comes to wearing clothes, however, the sister is not.
A satire about the dictatorship period in Brazil, in which communist militants try to steal the soccer World Cup Trophy from the players Pelé and Carlos Alberto Torres.
In Santiago, Chile, the schoolteacher Luisa proposes a debate about sex with the parents of her students with the intention of giving classes about sex education to the youngsters.
Robert McChesney lays the blame for the US's current state of affairs squarely at the doors of the corporate boardrooms of big media, which far from delivering on their promises of more choice and more diversity, have organized a system characterized by a lack of competition, homogenization of opinion and formulaic programming.
