The atrocities Sok Chea witnessed as a child during the rule of Pol Pot continue to haunt to this day, nearly thirty years later. So she is shocked when she suddenly comes across the man who was in charge of her prison and whom she holds responsible for murdering most of her family. Once again he holds a prominent position, this time as Deacon of Death or leader of cremation ceremonies. She decides to collect evidence against him. He must stand trial. But can she succeed in a country still ruled by fear. Besides which, Cambodians believe in karma and forgiveness. Wrongdoers are punished after their death anyway and will suffer for many lives to come. Sok Chea'ss quest leads her to a confrontation with Karoby, in the same pagoda where the atrocities occurred.
Through daily routines in a rural village, an indigenous elder couple recall their strange marriage to their grand-daughter, and sometimes to each other, in the changing rhythm of nature around them.
Based upon documentation of forced confessions made during the Khmer Rouge era in Cambodia, this film reconstructs the relationship of a young woman, Hout Bophana, and Ly Sitha before they were tortured in executed in 1977.
Over three million Cambodians died in the genocide between 1975 and 1979. The Khmer Rouge’s reign of terror also decimated a homegrown film industry that had flourished since 1960: movie theaters were bombed, film prints were destroyed and artists were executed.
The story of Thun Chay, a Cambodian who was left behind by his mother in a refugee camp during their escape from the Red Khmer and the civil war in their home country.
In okay bye-bye, so named for what Cambodian children shouted to the U.S. ambassador in 1975 as he took the last helicopter out of Phnom Phenh in advance of the Khmer Rouge, Rebecca Baron explores the relationship of history to memory.
Phnom Penh-based dancer Prumsodm Ok—a Cambodian-American and pioneer of the first Cambodian gay dance company Prumsodun Ok & NATYARASA—demonstrates the meticulous form of Khmer dance.
Told through documentary, drama and first-hand accounts, this revealing film is a unique account of the most ruthless IRA bombing campaign ever to hit mainland Britain.
Shut out, left alone… which way will Emily turn? This drama gets to the heart of difficulties that many post-modern teens are dealing with today: Peer pressure, cutting, suicide, divorced parents.
Emma (Damasus-Aboderin), Candace (Genevieve Nnaji) and Yvonne (Jalade-Ekeinde) have been friends since High School and have since settled into their respective lifestyles.
