"It's Film School in a Box!"31 May 2005Factual300 mins
South Park's Trey Parker and Matt Stone, Night of the Living Dead's George A. Romero and Spider-Man's Stan Lee share their filmmaking secrets with the legendary Lloyd Kaufman in this step-by-step course for budding filmmakers. From scriptwriting to distribution, Kaufman covers the essentials with his works as examples, and many other notable filmmakers offer their advice. The set features films created using Kaufman's method, and much more.
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MAKE YOUR OWN DAMN MOVIE: The Master Class
In early 2014 Lloyd Kaufman was scheduled to teach his world famous master class at Megacon in Orlando Florida. However due to some essential materials ...
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During a space voyage, four scientists are altered by cosmic rays: Reed Richards gains the ability to stretch his body; Sue Storm can become invisible; Johnny Storm controls fire; and Ben Grimm is turned into a super-strong … thing.
Who says being an undead creature of the night is easy? With that in mind, three ancient friends—centuries-old vampires Vulvus, the romantic and temperamental Lord Byron wannabe; Viago, the flamboyant 19th-century dandy; and Deacon, the rebellious 107-year-old youngster—invite a documentary crew to shed light on a vampire’s daily life.
The movie covers the careers of five up-and-coming horror-movie loving directors – Mark Borchardt ('Coven'), Ron Atkins ('Necromaniac'), Dave Stagnari ('Catharsis'), John Gora ('Chirpy'), and Brian Singleton.
After terrorizing the people of Nodaway County and repeatedly escaping justice for years, the town bully finally meets his demise at the hands of the townspeople of Skidmore, Missouri.
In 1960s Wyoming, two men develop a strong emotional and sexual relationship that endures as a lifelong connection complicating their lives as they get married and start families of their own.
Lisa is a middle-class white woman from Toronto, Canada. She's also addicted to crack cocaine. To maintain her habit, she works as a prostitute while living in a hotel room.
The Art of Henry Moore aims to rediscover the artist by returning to the works themselves – his sculptures, drawings and graphics – and to Moore’s own thoughts about them.
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