Nova Paul's 16mm film Pink and White Terraces, reflects on the delicate construction of domestic environments and public places in the Tamaki Makaurau and Manukau cityscapes in Aotearoa New Zealand. Using a 'three-colour separation' optical process technique, the film makes visible several moments simultaneously. In red, green and blue layers, colour-coded auras hold records of time like geological accretions. The politics and poetics of these sites gently unfolds as the film moves in and out of phase, as actors and environment focus and fade, and filmic time is made palpable.
In 2027, in a chaotic world in which humans can no longer procreate, a former activist agrees to help transport a miraculously pregnant woman to a sanctuary at sea, where her child's birth may help scientists save the future of humankind.
Set in the Mayan civilization, when a man's idyllic presence is brutally disrupted by a violent invading force, he is taken on a perilous journey to a world ruled by fear and oppression where a harrowing end awaits him.
Polly and her classmates hits the world's most fabulicious amusement park and compete in a charity version of their favorite mega-reality show, "Roll Like That!" The only thing holding them back from winning the fab first prize is Polly's scheming future stepmom and her jealous classmate, Beth.
Ronnie lives in a small sleepy village and is the owner of a small company for deep-frozen goods. Daydreams, contact ads, the firemen's brassband, the weekly visits at his shrink and his buddy Lars' cynical remarks about air guitar and vinyl-records are the highlights of Ronnie's life.
