Since the 1990s, Christoph Marthaler and his congenial stage and costume designer Anna Viebrock have caused a sensation with highly musical and atmospheric productions of plays and operas. It was only a matter of time, then, before this directing team was also invited to the Bayreuth Festival. Marthaler's style of radical deceleration proved ideally suited to Wagner's Tristan und Isolde in this production – with Viebrock's sober yet poetic sets – unveiled in 2005. In the 2009 revival documented here, Robert Dean Smith and Iréne Theorin were joined in the title roles by Robert Holl, one of the great basses of his generation, who sang the role of King Marke.
Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Salzburger composer Wolfgang Amadeus Mozart.
Running through Bartók’s disenchanted tale, whose haunting music was initially condemned as unplayable, and the expression of despair in Poulenc’s monologue, the director Krzysztof Warlikowski perceives a shared dramatic thread, a shared feminine consciousness and a shared sense of imprisonment and suffocation: for the woman who penetrates the confines of Bluebeard’s castle and Elle, the woman who clings to a telephone conversation with a man as the only thing worth living for, are condemned to share the same fate.
Beethoven’s only opera is a masterpiece, an uplifting story of risk and triumph. In this new production, conducted by Antonio Pappano, David Butt Philip plays the political prisoner Florestan, and Lise Davidsen his wife Leonore (disguised as ‘Fidelio’) who daringly sets out to rescue him.
Franco Zeffirelli's magnificient staging of Puccini's final opera - a fairy tale set in a mythical China - is one of the most popular in the Met repertory.
Based on a revolutionary play supposedly written by the Eternal President of the Democratic People's Republic, Kim Il-sung, and rumored to have been co-directed by Kim Jong-il.
The Zurich Opera gathered a superb cast for this production: Italian soprano Eva Mei sings the Countess Violante, known as Sandrina, the feigned gardener of the title.
The first words uttered by Carmen mark one of the greatest entrances in the history of opera and express all that need be said: “Love is a rebellious bird that no one can tame…” With a devilish sway of the hips and a hint of Andalusian flair, the beautiful cigar-maker sets her sights on a soldier: Don José.
Alternative movies trailers for Tristan und Isolde
More movie trailers, teasers, and clips from Tristan und Isolde:
[Opus Arte OABD7039D] WAGNER: Tristan und Isolde Blu-ray Trailer
Opus Arte Blu-ray Trailer: Richard Wagner's TRISTAN UND ISOLDE (Opus Arte Catalogue No. OABD7039D) Date Released: September 2009 More Info.
TRISTAN UND ISOLDE ISOLDE ISOLDE - Trailer
Musiktheater nach Gottfried von Straßburg und Richard Wagner von Franziska Kronfoth und Rebekka Dornhege Reyes Vorstellungen am So und Mo ...
Richard Wagner: "Tristan und Isolde" (Trailer) | Wiener Staatsoper
Trailer zu TRISTAN UND ISOLDE (Premiere am 13. Juni 2013) an der Wiener Staatsoper
Preview Glyndebourne's Tristan und Isolde audio release (Recorded 2009)
Tristan und Isolde recorded live at Glyndebourne at the 2009 Glyndebourne Festival Conductor Vladimir Jurowski with the London Philharmonic Orchestra Cast: ...
Tristan und Isolde: Backstage Trailer. 2013 [HD]
Trailer del Backstage de la película que ha revolucionado la Universidad del Atlántico.
Richard Wagner: TRISTAN UND ISOLDE [Trailer]
Verrat verlorene Ehre Schuld und Sühne leidenschaftliche Liebe und das Verlangen nach Tod und Vergessen -- die Geschichte von Tristan und Isolde aus ...
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An eleven-year-old girl, living in Edinburgh, Scotland, hates her Christian name, Kylie. She prefers to be called "Morticia" And she wants a real Dad she can identify with.