"In the summer of 2010 I was artist-in-residence at Intermondes and the International Film Festival of La Rochelle. My ambition was to try and capture some of the town’s psyche and a little bit of its’ geography. To this end I was aided by the photographer Sebastian Edge, his ancient wet collodion photographic techniques, a mobile dark room and his assistant Gloria Lin. I documented the making of a series of photographs that managed to capture a sense of ‘place’. Ever alert to the spirit of ‘timesgone’ I have edited sounds and images that evoke a somewhat off-kilter reading of all things Rochellaises." – Andrew Kötting
Death is just as omnipresent as ever, and is unleashed after one man’s premonition saves a group of coworkers from a terrifying suspension bridge collapse.
Ethan Hunt and his team are racing against time to track down a dangerous terrorist named Hendricks, who has gained access to Russian nuclear launch codes and is planning a strike on the United States.
To win the celebrity and self-made wealth he craves, an aimless, twenty-something Manhattan playboy devises a film based on his party-boy, club-going lifestyle, and hires a self-destructive aspiring playwright to ghost the feature script.
JJ Justice is a man in transition. A once successful right-wing radio broadcaster, who's lost his edge, his wife and any hope of airing in a real market.
Aibileen Clark is a middle-aged African-American maid who has spent her life raising white children and has recently lost her only son; Minny Jackson is an African-American maid who has often offended her employers despite her family's struggles with money and her desperate need for jobs; and Eugenia "Skeeter" Phelan is a young white woman who has recently moved back home after graduating college to find out her childhood maid has mysteriously disappeared.
Comments
Have you watched La Rochelle est une ville yet? What did you think about it?
