Nomi Kanjuro (Takaaki Nomi) is a master less samurai on the run after throwing away his sword for good. He has with him his headstrong 9-year-old daughter Tae (Sea Kumada). A bounty is soon placed on Nomi Kanjuro and 3 assassins go after the score. When Nomi Kanjuro is eventually captured and placed in front of the local feudal lord (Jun Kunimura) he is given a choice. A boy prince has been grieving ever since the death of his mother. Nobody has been able to make the boy smile. Nomi can attempt to make the boy smile within 30 days or he must commit seppuku (suicide).
Princess Jasmine grows tired of being forced to remain in the palace and she sneaks out into the marketplace in disguise where she meets street-urchin Aladdin and the two fall in love, although she may only marry a prince.
A samurai answers a village's request for protection after he falls on hard times. The town needs protection from bandits, so the samurai gathers six others to help him teach the people how to defend themselves, and the villagers provide the soldiers with food.
An outrageous and insanely over the top erotic (‘Pinku’) movie that delights in breaking several taboos, in the unique way that only a Pinku movie can! The story starts with office worker Takashi, who shares a drink one night with two women (Mina and Sakura).
With his wife Elizabeth on life support after a boating accident, Hawaiian land baron, Matt King takes his daughters on a trip from Oahu to Kauai to confront the young real estate broker, who was having an affair with Elizabeth before her misfortune.
Hugo is an orphan boy living in the walls of a train station in 1930s Paris. He learned to fix clocks and other gadgets from his father and uncle which he puts to use keeping the train station clocks running.
Tired of the noise and madness of New York and the crushing conventions of late Eisenhower-era America, itinerant journalist Paul Kemp travels to the pristine island of Puerto Rico to write for a local San Juan newspaper run by the downtrodden editor Lotterman.
Zeitgeist: Moving Forward, by director Peter Joseph, is a feature length documentary work which will present a case for a needed transition out of the current socioeconomic monetary paradigm which governs the entire world society.