The first ever staging of Jörg Widmann's opera Babylon. Presented by the Bavarian State Opera in Munich, directed by Carlus Padrissa (La Fura dels Baus).
Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Salzburger composer Wolfgang Amadeus Mozart.
Tan Dun portrays the Venetian explorer's travels to the Far East as a journey of both inner and physical discovery, a voyage depicting spiritual experiences as well as a geographical expedition.
Franco Zeffirelli's magnificient staging of Puccini's final opera - a fairy tale set in a mythical China - is one of the most popular in the Met repertory.
Having triumphed at the Met in some of the repertory’s fiercest soprano roles, Sondra Radvanovsky stars as the mythic sorceress who will stop at nothing in her quest for vengeance.
Mozart’s early masterpiece returned to the Met for the first time in more than a decade with Music Director Emeritus James Levine, who led the work’s company premiere in 1982, again on the podium.
France, 1792. Chenier is an idealistic poet, in love with the aristocratic Maddalena. While Chenier supports such notions as "liberte, fraternite egalite," his sympathies do not extend to the current Reign of Terror.
The historic Toscanini television concerts with the NBC Symphony Orchestra. This concert, broadcast in two parts, on 26 March and 2 April 1949, from NBC Studio 8H, features the opera "Aida" by Giuseppe Verdi.
Simon Keenlyside smolders dangerously in the title role of Mozart’s version of the legend of Don Juan, creating a vivid portrait of a man who is a law unto himself, and all the more dangerous for his eternally seductive allure.
The story is set some time in the past, or maybe some time in the future. Given a time-frame, we would say somewhere between the American moonwalk, and Coca- Cola's serious ambition to turn the moon into an advertising logo.
For more than 80 years, Solenopsis Invicta has been on a ceaseless march across the United States, racking up six billion dollars every year in crop damage, equipment repair, and pest control.
John Bennett, a man whose childhood wish of bringing his teddy bear to life came true, now must decide between keeping the relationship with the bear or his girlfriend, Lori.
Matt, a stereotypical hetero white male, feels he has life figured out by following the status quo. This all changes when he meets Ryan and the illusion of his idyllic life begins to crumble.
Two guys, Nick and Dylan, set out to steal a gigantic diamond buried in the basement of a church. As the duo bumbles their way through their plans, they find that the people they’re trying to dupe are actually what they both need —quirky, chaotic, and imperfect, but loving and lovable… the family they’ve been looking for.
Comments
Have you watched Widmann: Babylon yet? What did you think about it?