Chronotopia is a film featuring dual English and Taiwanese narrations. Linking disparate twentieth-century Taiwanese histories, it employs an architectural framework to invoke Lee Guang-Hui, an Indigenous Taiwanese soldier who fought for the Imperial Japanese Army in World War II and lived in isolation on Indonesia’s Morotai island until 1974, believing the war had never ended. His return after three decades to a transformed Taiwan—whose language he no longer spoke—casts him as a figure seemingly outside history. His multiple names—Teruo Nakamura in Japanese and Attun Palalin in Ami—mark the shifting spaces, identities, and temporalities that structure Chronotopia.
Len van Jaarsveld used to be on the top of his game. As one of the country’s leading music producers he had it all: the stars, the hits, the connections and the.
Hamdan is a former Palestinian leader who spent 15 years locked up in the old Israeli prisons. In 1973, while living in Syria, he was given a mission to smuggle explosives across the border and train a person he trusted.
Bethlehem tells the story of the unlikely bond between Razi, an Israeli secret service officer, and his Palestinian informant Sanfur, the younger brother of a senior Palestinian militant.
Natan tells the remarkable story of Bernard Natan, a Romanian immigrant who came to Paris in 1905 and was involved almost immediately with French cinema.
A true Canadian iconoclast, acclaimed transgender country/electro-pop artist Rae Spoon revisits the stretches of rural Alberta that once constituted “home” and confronts memories of growing up queer in an abusive, evangelical household.
