09 October 2013 4 mins
Peter Gidal’s starting point for his 16mm film was a soundtrack that consists of three lines from a 1,000 word story written by Gidal in 1971, read by William Burroughs. Gidal describes the film’s ‘so-called imagery’ as ‘a complex of barely visible cuts in space and time, the opposite of erasure, but nothing so much as visible’.
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William S. Burroughs as Self (voice) (archive sound)
Peter Gidal Director
United Kingdom 09 October 2013
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Have you watched Coda I + Coda II yet? What did you think about it?