Of all the great ballerinas, Tanaquil Le Clercq may have been the most transcendent. With a body unlike any before hers, she mesmerized viewers and choreographers alike. With her elongated, race-horse physique, she became the new prototype for the great George Balanchine. Because of her extraordinary movement and unique personality on stage, she became a muse to two of the greatest choreographers in dance, George Balanchine and Jerome Robbins. She eventually married Balanchine, and Robbins created his famous version of Afternoon of a Faun for her. She had love, fame, adoration, and was the foremost dancer of her day until it suddenly all stopped. At the age of 27, she was struck down by polio and paralyzed. She never danced again. The ballet world has been haunted by her story ever since.
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Eight hundred German filmmakers (cast and crew) fled the Nazis in the 1930s. The film uses voice-overs, archival footage, and film clips to examine Berlin's vital filmmaking in the 1920s; then it follows a producer, directors, composers, editors, writers, and actors to Hollywood: some succeeded and many found no work.
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Judith moved to Berlin three weeks ago and is just starting her career. A new city, a new apartment, her first job - that was her life plan with her boyfriend Christian.
It's Christmas break at the McDonald house, but silent nights--and days--are nowhere to be found. With the children's constant bickering, pretty packages and a sweet-smelling tree don't come close to filling the McDonald home with the true spirit of the first Christmas.
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When a couple discovers a strange phenomenon in their backyard that duplicates organic life, their relationship takes unexpected turns after one of them makes a copy of themselves.
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Comments
Have you watched Afternoon of a Faun: Tanaquil Le Clercq yet? What did you think about it?