One of the series of labodoble experiments of the natural (organic) film developers. The structure of the film is based on the chemical formula of the Rhus Typhina's developer. The main protagonist of the film is a species of flowering plant in the family Anacardiaceae which leaves and berries have been mixed with tobacco and other herbs and smoked by Native American tribes. We tried to apply the properties of the Rhus Typhina in the photochemistry. The film catches the research, experiments, harvesting and preparation of the film developer in which latter original negative was developed.
A aspiring novelist operates a tiny neighborhood bookstore. His wife is a talented painter. Their marriage is disintegrating, and they are about to sign their divorce papers.
"Three Women, is an ambitious work designed to be shown on multiple screens in a movie theater. Moving a step forward from the use of multiple screens as an expansion of cinema as exemplified by Abel Gance’s Napoléon (1927), it presents what is literally a conceptual expansion of cinema in the form of a filmic work experienced in a theater in which the 15-channel, surround-sound audio constructed by Araki Masamitsu and Ito’s visuals organically intertwine.
in my darkest moment, fetal and weeping, the moon tells me a secret, a confidant As full and bright as I am, this light is not my own and a million light reflections pass over me, the source is bright and endless.
Anger discusses his Aleister Crowley-inspired theories of art: How he views his camera like a wand and how he casts his films, preferring to consider his actors, not human beings but as elemental spirits.
This film-performance, edited live during the screening, serves as an atmospheric and experiential investigation into the very essence of electrical flux, inviting viewers to embark on a transformative cinematic ride.
Set against an operatic soundscape, period@period is a sensual interplay of sound and image that focuses on the anonymous protagonist’s monthly period and the rituals associated with it.
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Comments
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