"Rossini's Otello for a New Century"01 January 2014156 mins
This new disc from the Zurich Opera presents just about as thoughtful and coherent account of Rossini's Otello as one could hope for. This isn't the first time the company has made something of a splash with the bel canto repertory. Some will remember their CD release, a few years back, of Bellini's Norma, also featuring Bartoli. That set got very mixed reviews, and those who hated that will probably hate this too, no doubt before they even watch it. But for those not initiated in the trench warfare that music loving often attracts, this disc will be most welcome. The world class cast, led by Cecilia Bartoli and tenor John Osborn, are (mostly) young, committed and talented. They deliver, here, an intense performance that makes a very strong case for this neglected opera.
When a sharp-tongued court jester Rigoletto is cursed for his spiteful words, he is forced to hide his unworldly daughter Gilda from his own licentious master the Duke.
Desdemona in Verdi's Otello was a career role for soprano Renata Tebaldi, from her first operatic performance outside of Italy to her final appearance on the opera stage.
"Die tote Stadt" is a psychologically layered drama with Hitchcock-like features, about Paul who, after the loss of his beloved Marie, slowly but surely becomes entangled in a dream world of obsessions and delusions.
During World War II, two French civilians and a downed British Bomber Crew set out from Paris to cross the demarcation line between Nazi-occupied Northern France and the South.
A wealthy playboy surreptitiously romances a scullery maid to gain access to her mistress with whom he is in love, but doesn't count on the maid falling in love with him.
A tragic and secretive romance ensues over many years after two men meet while herding sheep on Brokeback Mountain in this opera based on Annie Proulx's short story and its subsequent Oscar-winning film adaptation.
The great singing actress Nina Stemme gives a heart-wrenching performance in the title role of Strauss’s blazing one-act drama, adapted from the ancient Greek myth.
A special bond develops between plus-sized inflatable robot Baymax, and prodigy Hiro Hamada, who team up with a group of friends to form a band of high-tech heroes.
With his wife's disappearance having become the focus of an intense media circus, a man sees the spotlight turned on him when it's suspected that he may not be innocent.
Three boys and two girls go backpacking from the city to a paradisiacal island. There they rent motorcycles, travel around the prettiest and most remote spots, camp out in the woods, on a coastal cliff, get drunk and swim in the sea.
Istanbul cirminal underworld; a place of merciless families and swaggering hitmen afraid of no one. Kadir Korkut, nicknamed the "Demon" is the most fearsome of their kind.
In the bright sunlight of opera buffa, a handsome Turkish prince (with an agile bass voice) lands on the coast of Naples looking for amorous adventures.
Comments
Have you watched Rossini Otello yet? What did you think about it?