An abstract, meditative piece, Empyrean was “filmed” at the altar of celluloid cinema. Using a mobile phone camera, director Kalpana Subramanian intercepted mediated light from the projector during screenings of various 16mm prints of films by Stan Brakhage (1933-2003). The film is part of her larger, art-based research project, Light Mediated: Eyes on Brakhage, which explores the poetics of the moving image.
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In 1926, Newt Scamander arrives at the Magical Congress of the United States of America with a magically expanded briefcase, which houses a number of dangerous creatures and their habitats.
A hardworking young man bent on saving his sick son must convince a stranger to kill an innocent student or an unknown group will detonate the bomb strapped under his coat.
Lou Clark, a directionless 26-year-old from the English countryside, takes a job at the local castle as a caregiver and companion to a wealthy young banker, Will Traynor.
Taking place after alien crafts land around the world, an expert linguist is recruited by the military to determine whether they come in peace or are a threat.
Fearing the actions of a god-like Super Hero left unchecked, Gotham City’s own formidable, forceful vigilante takes on Metropolis’s most revered, modern-day savior, while the world wrestles with what sort of hero it really needs.
1930s Korea, in the period of Japanese occupation, a new girl, Sook-hee, is hired as a handmaiden to a Japanese heiress, Hideko, who lives a secluded life on a large countryside estate with her domineering Uncle Kouzuki.
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Have you watched Empyrean yet? What did you think about it?
