Yoon-ju dies under mysterious circumstances while working on a film. At the urging of Director Kim, her younger sister Yoon-hee starts making the film but memories of her dead sister keep haunting her. When Yoon-hee sees her sister’s apparition lying in the bathtub looking at her one day, she falls and hurts her eye. From that day on, Yoon-hee goes back and forth between herself and the dead sister and tries to keep a distance from her boyfriend Han-gi, who grows more and more concerned and tells her to quit the film. But, Kim pushes the reluctant Yoon-hee to keep working on finishing it. As she continues to shoot the film, Yoon-hee finds herself caught up in confusion as she crosses the borders between the present and the past and between reality and cinema.
A hardworking young man bent on saving his sick son must convince a stranger to kill an innocent student or an unknown group will detonate the bomb strapped under his coat.
Knokke, Belgium. A small mundane coastal town, home to the beau-monde. To compete with Venice and Cannes, the posh casino hosts the second ‘World Festival of Film and the Arts’ in 1949, organised in part by the Royal Cinematheque of Belgium.
Set after the events of Continental Drift, Scrat's epic pursuit of his elusive acorn catapults him outside of Earth, where he accidentally sets off a series of cosmic events that transform and threaten the planet.
Atlantis is known across the world as a myth. But is this really the truth? No matter what cultural history we explore, we discover a story very similar to the one we know about Atlantis.
WWII American Army Medic Desmond T. Doss, who served during the Battle of Okinawa, refuses to kill people and becomes the first Conscientious Objector in American history to receive the Congressional Medal of Honor.
"Panic Attack!" is a hand-drawn animation from the point of view of a woman having a panic attack. I wanted the transitions between reality and her imagined fears to be seamless, so there are no edits -- it is one continually transforming drawing.
