Even by the late 1960s, to my knowledge, there had been no “Abstract Expressionist” non-referential, extended painting applied directly to motion picture film. All previous examples of “direct animation” were more or less figurative, although some by Len Lye involved stenciling and dancing geometric shapes, all previous examples adhered mostly to some kind of a figure based continuity between individual frames.
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The short documentary film-"tesaer" (later, based on the material, the director will shoot a full-length film) is based on the fate of the Floriculture Pavilion of the former Exhibition of Achievements of the People's Economy, and its elderly employee Valentyna Voronina, who maintains this space, investing her own life into it, until suddenly changes come to her.
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A low-intensity war is being fought on the streets of Europe and the aim is on fascism. This critically acclaimed documentary takes us behind the masks of the militants called antifascists.
In the summer of 1983, a 17-year-old Elio spends his days in his family's villa in Italy. One day Oliver, a graduate student, arrives to assist Elio's father, a professor of Greco-Roman culture.
