In the world of self-regarding architect Amos, there’s really only one thing that matters—Amos. There he is, sensibly chic in a black roll-neck sweater and neat gray trousers: “I want to build something important. I want to change the world. I want to express myself.” Amos is Cécile B. Evans’s amalgam of the twentieth-century starchitects who shaped the post-war built environment. Conceived as a mock TV series set in a Brutalist housing estate, her exhibition at Glasgow’s Tramway comprises three separate videos (or “episodes”). Made between 2017 and 2018 and collectively titled “Amos’ World,” each is screened concurrently in accompanying installations with soundtracks played on headphones. Dotted around the space are props and sets used on screen: scale-model shelves of colored binders, a miniature forest. As “Amos’ World” suggests, the egoistic visionaries Amos parodies were not ultimately in control of their designs. Evans emphasizes this point by rendering Amos as a jerky puppet.
Watch the official Amos' World 2017 trailer in HD below.
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After a botched bank robbery lands his younger brother in prison, Connie Nikas embarks on a twisted odyssey through New York City's underworld to get his brother Nick out of jail.
For Agatha, Christmas triggers sadness. She yearns for freedom laced with imagination, when magical creatures were part of a game played with friends in the forest.
The Near East Foundation, known initially as Near East Relief, spearheaded this first great mobilization of international humanitarian assistance in the United States, in September 1915, in response to the Armenian Genocide.
The room laundering where she was a "poor girl" is to move into a house or an accident property for a certain period of time, and to eliminate the obligation to notify the accident property ([Instruction of important matters]), and to live in that room free of charge.
Description by Ken Jacobs: Get Up and Go is a glimpse given dimension. No day is complete without a visit to Chinatown and on this day my movie camera caught a woman rising from a bench.
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An act of violence resonates through the night, touching upon the lives of different characters, who otherwise would not necessarily exist in each other’s daily narrative.
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