The Weight of Sight is a playful and very personal essay where director Truls Krane Meby, through a massive archive of his own material - anything from DV-tapes to 35mm - explores the last 20 years of digital development - how it’s influenced the images we make, and our bodies.
The diaspora of Filipinos around the globe is driven mostly by the economics of supply and demand. The yearning for something better, stability, and self-validation leads a handful of sojourners from the provinces of the Philippines into the arms of one of its former colonial masters — the USA.
Weeping Rocks follows Art, an entomologist nearing the end of his life, who has spent over five decades walking the same ten trails, meticulously counting every butterfly he sees and witnessing the slow erosion of the world.
A dream walk through the United States of America; a meditation on the thoughts and ideals of its inhabitants, as they are exposed in their silent but eloquent home movies.
A youngster writes a letter to his grandmother about his last trip to Donosti (Spain). This city inspires him to ponder about the language of cinema, time, cities, and sharing memories with our loved ones.
Four filmmakers working in the region of Galicia (in the northwest of Spain) follow and portray on the screen Galician artists working in disciplines of different nature.
“Sketch XXX (work in progress)” in addition to its “poetic” and “political” content also brings the spectator to his capacity for revolt as an individual before being carried away by an obedient and non-thinking collective membership … The gradual erasure of our antagonistic individual-collective concepts will perhaps help us as individual-collective to imagine that perhaps all the elements of the living being connected this invalidates all “individualist” attempts.
It’s the bitterly cold Winter of 1979 as Rusty types furiously in his trailer. His fiancé had just left him at the alter and in response, Rusty uproots himself from Minnesota and relocates to the middle of nowhere.
Submersed in "bro" culture, a fraternity brother's obsession with a poem and its poetess begin to inform him more about himself than he is ready to accept.
This film is a true-crime thriller that goes behind the headlines to uncover the deep-seated and social media-fueled “boys will be boys” culture at the root of high school sexual assault in America.
Eight student eyewitnesses from Stuyvesant High School in New York City recount their experiences of the Twin Towers attack on September 11, 2001, who as young teenagers, found themselves fleeing debris in the heart of the danger zone and faced with a harrowing journey home.